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HEATHER'S  NEWS

 

PREVIOUS  EXHIBITIONS and COMMISSIONS

(click on the text below for further details of these previous exhibitions and commissions)
 

 
MARY ROSE

MUSEUM -

COMMISSION


November 2007

 

 

 
GLASGOW

An impressive exhibition

Jan - Feb 2007

 

 

  
EMSWORTH

An exciting

new gallery

Dec 2006 - Jan 2007

 

 

  TATE MODERN COMMISSION 

November 2006

 

 

 LONDON
Touching and emotional
November 2006
 
 

 

 GUERNSEY
Fantastic people, fantastic reactions

June - July 2006
 
 

 

SALISBURY
Library & Galleries

February 2006

 

 


 

 

MARY ROSE COMMISSION

MARY ROSE MUSEUM,  PORTSMOUTH,  HAMPSHIRE, UK

November 2007

 

 

This commission was a very exciting project for me as I was asked to create a tactile painting of Henry VIII's warship "The Mary Rose", built in 1511. 

 

The remains of this famous warship were recovered from the Solent, off the Portsmouth coast, in October 1982 and are now preserved and on public display in No 3 dock in  Portsmouth's famous Naval Dockyards.

 

The painting has been handed over to the museum and, although it is now on public display, I am waiting for confirmation of a date for the official unveiling.  Details will be posted on my homepage as soon as I have details.


GLASGOW

Collins Gallery, Strathclyde University

January - February 2007

 

 

The 7th annual Helen Keller International Award exhibition was held at the Collins Gallery at the University of Strathclyde in Glasgow.  It was exciting for me to be able to attend the opening of what was a very impressive event and to see a cross section of works that were both wall hung, and sculptures.  My sculptured painting "Source of Life" was selected to be part of this wonderful show. 



EMSWORTH

Queen Street Gallery

December 2006 - January 2007

 

 

Situated in the beautiful village of Emsworth, The  Queen Street Gallery in "The Old Flour Mill" is an exciting new gallery that has already run several exhibitions featuring stunning works of art.  The seasonal "Winter Exhibition" featured a number of artists and I am pleased to say that 2 of my paintings on display - "The antique dealer" and "Memories of France" - were both sold.



TATE MODERN COMMISSION

TATE MODERN GALLERY, LONDON

November 2006

 

 

In the summer of this year (2006), the Tate Modern offered me a commission to produce a tactile copy of the painting Whaam! by Roy Lichtenstein.  This work is to be included in their Touch Tours collection for the blind and visually impaired, and it is the first tactile painting to be included in their collection.

 

The original painting is large and vibrant, and so that visitors could touch the whole of my painting, it was made to the size of 48" x 24".  The painting is made up of sand and plaster, with the background made up of a series of dots, each of which is built up with layers of plaster.  I can honestly say that it felt like millions of dots by the time I had finished. 

 

The benefit to visually impaired visitors is that my tactile copy is positioned in front of the original, and if the visitor is unable to see or focus on all or part of the original then, by being able to touch the copy, it acts as a map to the original painting.

 

On Thursday 9th November 2006, the painting was delivered to Marcus Horley, the Tate's curator for the Interpretation and Education Department.  The official hand-over took place in front of the original painting and it was fortuitous that a group of visually impaired visitors had booked in for the Touch Tours at the same time.  They became the first people to see and feel it, and many other visitors gathered round to enjoy the experience.

 

When my work is seen and touched, it is always fun, often moving and very rewarding.  Hopefully this will be the beginning of a whole new adventure of being able to touch art.

 



LONDON

County Hall

November 2006

 

 

The inaugural "Re-Generation" exhibition took place at the County Hall on London's South Bank, just feet away from the London Eye.  It was an amazing place to exhibit.

 

The show was organised in aid of Cancer Research with the organiser, Jon Wiltshire,  dedicating the show to his mother.

 

The exhibition explored the relationship between the affects of Cancer with Art, with artists responding to the possibilities of art being a catalyst for renewal in the face of Cancer, in sometimes brave, and surprising ways.  Every one of the exhibitors used art in all its forms to produce work as a personal and moving response to cancer.   

 
Some 27 artists showed works in media ranging from painting and drawing to photography, video and installation.
 

My particular exhibit was a series of 5 tactile, sculptured, paintings that focused on breast cancer, highlighting the different age groups of women who are affected by this terrible disease.  I used these different paintings to address the positive effects of reconstruction and the outcomes.

The paintings "Woman to Woman" shows women of all ages, with changing shapes as they grow older.  The first images on the left hand side are lighter in colour and very smooth - showing youth.  As the shapes and textures change - as with age - then so the colour deepens, indicating a richer, well lived life.

The paintings in this series show each age group with a breast missing, followed by a new breast after reconstructive surgery.  The images show that breast cancer can strike anyone irrespective of age. 

 
The paintings are about hope.
 
To view the series of paintings, just click on the "Gallery" button above, and then select "Sculptured", or click here to go straight to the Sculptured Gallery.
 
Many hundreds of visitors came to see the works and its popularity allowed the exhibition to be extended by almost another week.  It is hoped that this exhibition will become an annual event for London and beyond.
 



GUERNSEY

Princess Elizabeth Hospital

June - July 2006

 

 

My recent exhibition of sculpted paintings, held in June at the Princess Elizabeth Hospital Guernsey, was organised by the Guernsey Arts Council and sponsored by Spec Savers and Condor Ferries.  Due to its success I agreed to leave my paintings for an extra month.

 

For one week of the exhibition, which was shown in the main corridor, I was Artist in Residence.  This gave me a wonderful opportunity to meet staff, patients and visitors first hand, to show them my work, and enjoy the interaction.  All the works had descriptions (in text and braille) as to what had inspired me to paint that particular piece of work.

 

The Guernsey Arts Council also organised for groups to visit from around the Island. These included the Blind and Visually impaired, Cheshire homes, and children with learning difficulties.  The visits were always lively and fun!

 
One elderly man walked along the corridor and stopped in front of each painting for some considerable time.  When he reached me, he told me that he was taking a break from visiting his wife and that he usually sat with her all day.  He said "for half an hour each day I come and look at your paintings and, during that time, I forget all my troubles.  I just thought you would like to know".
 

The organisers, sponsors, hospital staff and people of Guernsey were incredibly helpful, kind and warm and I look forward to the time that we meet again.

 

 

SALISBURY

Salisbury Library and Galleries

4 - 25 February 2006

 

 

A summary of the exhibition from Peter Riley, Gallery Manager and Curator of the John Creasey Museum and the Edwin Young Collection

 

This innovative and thought provoking exhibition drew attention from a variety of sources.  Not only were the public intrigued and fascinated by the images, but by Heather inviting them to touch the works they were making a very real connection in art between the visual, the tactile and feelings.  Especially in the area of paintings, where touch is not normally an acceptable method of appreciation.

 

For the visually impaired, or people with a disability, this show offered a rare chance to engage with art.  Not only were the works hung at an appropriate height for wheelchair users, but Braille labels were also produced.  Heather was also around a great deal to help explain and encourage the public to interact.

 
Whilst on show, she had various groups visit, ranging from school children to disability groups and individuals who had been attracted to the exhibition.
 
Good publicity was provided in the press and a TV station took up interest and held an interview in the gallery.  Gallery attendance was up on the month!
 
In many ways, this exhibition was an important building block.  It has undoubtedly added to the debate and awareness of access / exclusion.  Overall an engaging and important show for us here at Salisbury Galleries.
 
(Peter Riley, Gallery Manager and Curator for the John Creasey Museum and Edwin Young Collection)

 

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